LEARNING OBJECTIVE: To create your own St Patrick’s Day Cubist-inspired shamrock design exploring line, shape & colour The lesson highlights the key Formal Elements LINE, SHAPE and COLOUR, whilst students produce their own Cubist-inspired shamrock piece to celebrate St Patrick’s Day. This activity can be used for Key Stages 2 and 3, and is designed to engage students in mindful use of the Formal Elements and explore some simple elements of Cubism. Included in the worksheet - Learning Objective, a definition of Cubism, an explanation of what St Patrick’s Day is, and information on shamrocks. All task instructions are included, as well as a step by step visual example of what is expected. This resource is one PDF file of two pages, one is the lesson task sheet, the other is a zoomed in version of the step by step process of creating the Cubist-style shamrock if needed. This lesson is suitable for integration within a natural form scheme, one-off lesson, and/or cover a session and takes approximately two lessons to complete if being produced to a high standard. I usually print this resource on A3 cartridge paper and my students work directly onto the sheet, adding colour with watercolour paints. I have created many other lessons of varying subject matters. These can be found in my Artyfind shop.

This resource is designed to teach students how to use varying shades of TONE to begin to demonstrate FORM in their drawings. This sheet mostly focuses on the Formal Elements LINE, TONE, FORM and SHAPE in a step-by-step ‘shade by numbers’ portrait drawing of the famous Martin Luther King Jr. It can be used for Key Stage 2 and Key Stage 3 students. On the sheet, there is the learning objective, task instructions and a tone bar starter task for students to attempt using their varied tonal shading in pencil, before beginning the main task. The main task has a numbered outline portrait template of MLK, and also a completed shaded reference picture for students to refer to when applying their varied shading sections. There is also some brief information explaining who MLK was, along with one of his poignant quotes. This is one PDF document that can be printed A4 or A3, whichever suits the needs of your students. This sheet has been designed to be used within a scheme of work but is also suitable for a one-off lesson (or a couple of lessons), and/or cover session(s). It takes approximately two lessons to complete if being produced to a high standard. I usually print this resource on A3 cartridge paper and my students work directly on the sheet. Their sheets are then stored in an A3 portfolio with integrated clear wallets to record and store their project journey in a professional folder. If you would like to use this resource to help raise awareness for Black History Month, or any form of Black History referencing, there are also additional Black History resources (some free) that you may wish to look at in my shop.

LEARNING OBJECTIVE: To create your own Zentangle St Patrick’s Day inspired design exploring line, pattern & shape This lesson highlights the key Formal Elements LINE, PATTERN and SHAPE, whilst students produce their own Zentangle shamrock design to celebrate St Patrick’s Day. This activity can be used for Key Stages 2, 3, and 4, and is designed to engage students in mindful use of the Formal Elements. Included in the worksheet - Learning Objective, a definition of what Zentangles are, an explanation of what St Patrick’s Day is, including the Irish interpretation of Happy St Patrick’s Day, and some general information on the significance of shamrocks to the Irish community. All task instructions are included, as well as a light shamrock design template for the task (two different designs to choose from - one shamrock, one hat with shamrock), and some visual examples of what is expected, alongside some general Zentangle patterns for inspiration. This resource is one PDF file of two pages, each with a different design to choose from. This sheet is suitable for integration within a natural form scheme, one-off lesson, and/or cover a session and takes approximately one to two lessons to complete if being produced to a high standard. I usually print this resource on A3 cartridge paper and my students work directly onto the sheet. I have created many other drawing sheets of varying subject matters. These can be found in my Artyfind shop.

LEARNING OBJECTIVE: To create your own Op Art heart design which promotes love, imagination, inclusion, and acceptance Students complete a step-by-step drawing to create their own Op Art rainbow heart design. They may wish to edit their colour schemes for their own unique design which promotes love, imagination, inclusion, and acceptance. This resource is great for raising awareness of, and celebrating LBGTQ+ History Month and Valentine’s, as well of course, Op Art itself. The sheet highlights the key Formal Elements LINE, FORM, SHAPE, and PATTERN, whilst students produce their own piece of meaningful Op Art. This activity can be used for Key Stage 2 and Key Stage 3 and is designed to engage students in ‘looking and seeing’ and in consciously using the Formal Elements. Included in the worksheet - Learning Objective, a definition of Op Art, task instructions, step-by-step visuals, a template for the task, and also a quote by the Op artist Bridget Riley. This resource is two PDF files; one with ghost line sections on the template of the heart to support the less able/less confident students, and one without for the more able/gifted and talented students. This sheet is suitable for integration within a scheme, one-off lesson, and/or cover a session and takes approximately one to two lessons to complete if being produced to a high standard. I usually print this resource on A3 cartridge paper and my students work directly onto the sheet, but this can be printed A4 also if desired. I have created many other drawing sheets of varying subject matters. These can be found in my shop.

LEARNING OBJECTIVE: To create your own Op Art heart design which promotes love, imagination, inclusion, and acceptance Students complete a step-by-step drawing to create their own Op Art heart design. They may wish to edit their colour schemes for their own unique design which promotes love, imagination, inclusion, and acceptance. This resource is great for Valentine’s Day, and raising awareness of, and celebrating LBGTQ+ History Month, as well of course, Op Art itself. The sheet highlights the key Formal Elements LINE, FORM, SHAPE, and PATTERN, whilst students produce their own piece of meaningful Op Art. This activity can be used for Key Stage 2 and Key Stage 3 and is designed to engage students in ‘looking and seeing’ and in consciously using the Formal Elements. Included in the worksheet - Learning Objective, a definition of Op Art, task instructions, step-by-step visuals, a template for the task, and also a quote by the Op artist Bridget Riley. This resource is two PDF files; one with ghost line sections on the template of the heart to support the less able/less confident students, and one without for the more able/gifted and talented students. This sheet is suitable for integration within a scheme, one-off lesson, and/or cover a session and takes approximately one to two lessons to complete if being produced to a high standard. I usually print this resource on A3 cartridge paper and my students work directly onto the sheet, but this can be printed A4 also if desired. I have created many other drawing sheets of varying subject matters. These can be found in my shop.

This resource includes a variety of tasks related to the Black History heroine Mary Seacole, in an art and history worksheet format. Students are to create an art & history research page on Mary Seacole, including a portrait of her inspired by the style of the artist Shepard Fairey. The sheet is designed to be as visual and interactive as possible with prompting questions and tasks. There is an outline image of Mary Seacole for students to add further drawing details and create her portrait using the style of Shepard Fairey for inspiration. There is reference to Fairey’s ‘Obama’ poster design to give an exemplar of the artists style. This is one PDF document which can be printed A4 or A3, whichever suits the needs of your students. This resource pairs particularly well with my Black History Mary Seacole Knowledge Organiser resource found in my shop: https://www.tes.com/teaching-resource/black-history-mary-seacole-knowledge-organiser-key-stage-2-3-and-4-12743885 There are also additional resources (some free) in my shop, if you wish to extend your students Black History studies further using creative tasks.

This planning resource is designed to aid students in contextualising their final art or textiles outcome for their project and complete a detailed record of what will be included. This sheet supports individuals through specific questioning and suggestions to consider and aim to meet the EDEXCEL assessment criteria within their piece, and ultimately their project overall. It can be used for Key Stage 4 and Key Stage 5 students. The sheet encourages students to create an exam plan and to discuss their intentions, explaining their ideas, artist inspirations and what medias, techniques and materials they will be using throughout the piece. It gives the students the opportunity to communicate what the creative journey will be for this final design and produce a step-by-step action plan with time scales ready for their coursework or externally set exam. There is a colour/media/technique swatch samples section for students to create a visual dictionary for the work and also an equipment checklist so students can fully consider all that is needed. The assessment objectives are included for overall reference and purpose too. The planning sheet sections are separated for specific focus and direction with students when used for discussion. This resource is one PDF file. This planning sheet has been designed to be used within GCSE and GCE schemes of work, but is also suitable for one off lessons. I usually print this resource on A3 and my students work directly onto the sheet to either make initial notes then type/neatly write up them up for their portfolios/sketchbooks, or they neatly complete the whole sheet and then add it as a page to their portfolio. The choice is left to the individual student in terms of managing their own presentation. I have created other GCSE and A Level planning, annotation, analysis and evaluation sheets, which you may wish to look at in my shop.

This planning resource is designed to aid students in contextualising their final art or textiles outcome(s) for their project and complete a detailed design idea. This sheet supports individuals through specific questioning and suggestions to consider and aim to meet the EDEXCEL assessment criteria within their piece, and ultimately their project overall. It can be used for Key Stage 4 and Key Stage 5 students. The sheet encourages students to annotate their plan and to discuss their intentions, explaining their ideas, artist inspirations and what medias, techniques and materials they will be using and exploring throughout the piece. It gives the students the opportunity to communicate what the creative journey will be for this one particular design. There is a colour/media/technique swatch samples section for students to create a visual dictionary for the work. There is also a useful key words section to help students answer the targeted assessment-linked questions and the assessment objectives are included for overall reference and purpose. The planning sheet sections are separated for specific focus and direction with students when used for discussion. This resource is one PDF file. This planning sheet has been designed to be used within GCSE and GCE schemes of work, but is also suitable for one off lessons. I usually print this resource on A3 and my students work directly onto the sheet to either make initial notes then type/neatly write up them up for their portfolios/sketchbooks, or they neatly complete the whole sheet and then add it as a page to their portfolio. The choice is left to the individual student in terms of managing their own presentation. I have created other GCSE and A Level planning, annotation, analysis and evaluation sheets, which you may wish to look at in my shop.

This resource is designed to aid students in annotating their project, through specific questioning, suggestions and supportive sentence starters, including focus on the Formal Elements. It can be used for Key Stage 4 and Key Stage 5 students. The sheet encourages students to explore WHAT, WHY, HOW, discuss the QUALITY of work, explain their LEARNING in-depth and reflect on their skills developed. There is also an annotation example and useful key words and terms which can be used alongside the questions/suggestions/sentence starters. The separate sections are colour-coded for specific focus and direction with students when used for project annotations. This resource is one PDF file. This sheet has been designed to be used within GCSE and GCE schemes of work, but is also suitable for one off lessons. I usually print this resource on A4 and my students work directly from this when completing their art/textiles/photography final piece evaluation. I have created other GCSE and A Level annotation, analysis and evaluation sheets, which you may wish to look at in my shop.

This planning resource is designed to aid students in completing their final art or textiles outcome evaluation for their project. This sheet supports individuals through specific questioning and suggestions to consider and aim to meet the EDEXCEL assessment criteria within the summary of the piece, and ultimately their project overall. It can be used for Key Stage 4 and Key Stage 5 students. The sheet encourages students to annotate and plan their evaluation, discussing what their intentions were, explaining their ideas, artist inspirations and what medias, techniques and materials they used and explored throughout the piece. It gives the students the opportunity to communicate what the creative journey has been for the final piece. There is a colour/media/technique swatch samples section for students to create a visual dictionary of the medias and techniques used. There is also a useful key words section to help students answer the targeted assessment-linked questions and the assessment objectives are included for overall reference and purpose. The evaluation planning sheet sections are separated for specific focus and direction with students when used for discussion. This resource is one PDF file. This planning sheet has been designed to be used within GCSE and GCE schemes of work, but is also suitable for one off lessons. I usually print this resource on A3 and my students work directly onto the sheet to either make initial notes then type/neatly write up them up for their portfolios/sketchbooks, or they neatly complete the whole sheet and then add it as a page to their portfolio. The choice is left to the individual student in terms of managing their own presentation. I have created other GCSE and A Level planning, annotation, analysis and evaluation sheets, which you may wish to look at in my shop.

This resource is designed to highlight the Formal Elements of art, while creating a cross contour drawing of a hand. The aim is for students to gain a greater understanding of FORM and SHAPE, through the use of LINE and PATTERN. This activity can be used for Key Stage 3 and Key Stage 4 learners and is designed to engage students in ‘looking and seeing’ and consciously use the following Formal Elements of art: LINE SHAPE FORM PATTERN This resource is two PDF files; one with a ghost outline template to support the less able/less confident students, and one without for the more able/gifted and talented students. On the sheet there is the learning objective, a description of what the cross contour technique is, and the task instructions with step-by-step visual examples of how to work through the task. There are also other cross contour hand examples to reference from. This task is suitable for integration within a scheme, one off lesson, and/or cover session and takes approximately one lesson to complete, if being produced to a high standard. I usually print this resource on A3 cartridge paper and my students work directly onto the sheet, but this can be printed A4 also if desired. It may even be used simply as a reference sheet and the drawing produced directly into sketchbooks or on separate paper, whichever suits your student needs. I have created some further hand cross contour sheets, and other cross contour tasks of varying subject matter: skulls, shells, apples, octopus, which you may wish to look at in my shop.

This resource is designed to aid students in analysing artworks, through specific questioning and suggestions, including focus on the Formal Elements. It can be used for Key Stage 4 and Key Stage 5 students. The sheet encourages students to explore CONTENT, FORM, PROCESS, MOOD, CONNECTIONS, INTERPRETATIONS and RESEARCH. There are also useful key words and terms which can be used alongside the questions/suggestions. The analysing art sections are colour-coded for specific focus and direction with students when used for discussion. This resource is one PDF file. This sheet has been designed to be used within GCSE and GCE schemes of work, but is also suitable for one off lessons. I usually print this resource on A4 and my students work directly from this when completing their art/textiles/photography analysis. I have created other GCSE and A Level annotation and analysis sheets, which you may wish to look at in my shop.

This resource is designed to aid students in contextualising their project and creating a brief and aims for the start of their journey. This sheet supports this through specific suggestions and supportive sentence starters. It can be used for Key Stage 4 and Key Stage 5 students. The sheet encourages students to annotate the very start of the sketchbook/folder to discuss their intentions, explaining their ideas, artist inspirations and what they will be exploring throughout the project. It gives the students the opportunity to communicate what the creative journey will be for their work. There is also a brief and aims example and useful key words which can be used alongside the suggestions/sentence starters. The separate sections are colour-coded for specific focus and direction with students when used for discussion. This resource is one PDF file. This sheet has been designed to be used within GCSE and GCE schemes of work, but is also suitable for one off lessons. I usually print this resource on A4 and my students work directly from this when completing their art/textiles/photography project contextualisation (brief and aims). I have created other GCSE and A Level annotation, analysis and evaluation sheets, which you may wish to look at in my shop.

This resource is designed to highlight the Formal Elements of art, while creating a cross contour drawing of a skull. The aim is for students to gain a greater understanding of FORM and SHAPE, through the use of LINE and PATTERN. This activity can be used for Key Stage 3 and Key Stage 4 learners and is designed to engage students in ‘looking and seeing’ and consciously use the following Formal Elements of art: LINE SHAPE FORM PATTERN This resource is two PDF files; one with a ghost outline template to support the less able/less confident students, and one without for the more able/gifted and talented students. On the sheet there is the learning objective, a description of what the cross contour technique is, and the task instructions with step-by-step visual examples of how to work through the task. There are also other cross contour skull examples to reference from. This task is suitable for integration within a scheme, one off lesson, and/or cover session and takes approximately one lesson to complete, if being produced to a high standard. I usually print this resource on A3 cartridge paper and my students work directly onto the sheet, but this can be printed A4 also if desired. It may even be used simply as a reference sheet and the drawing produced directly into sketchbooks or on separate paper, whichever suits your student needs. I have created some further skull cross contour sheets, and other cross contour tasks of varying subject matter: hands, shells, apples, octopus, which you may wish to look at in my shop.

This resource is designed to highlight the Formal Elements of art, while creating a cross contour drawing of a hand. The aim is for students to gain a greater understanding of FORM and SHAPE, through the use of LINE and PATTERN. This activity can be used for Key Stage 3 and Key Stage 4 learners and is designed to engage students in ‘looking and seeing’ and consciously use the following Formal Elements of art: LINE SHAPE FORM PATTERN This resource is two PDF files; one with a ghost outline template to support the less able/less confident students, and one without for the more able/gifted and talented students. On the sheet there is the learning objective, a description of what the cross contour technique is, and the task instructions with step-by-step visual examples of how to work through the task. There are also other cross contour hand examples to reference from. This task is suitable for integration within a scheme, one off lesson, and/or cover session and takes approximately one lesson to complete, if being produced to a high standard. I usually print this resource on A3 cartridge paper and my students work directly onto the sheet, but this can be printed A4 also if desired. It may even be used simply as a reference sheet and the drawing produced directly into sketchbooks or on separate paper, whichever suits your student needs. I have created some further hand cross contour sheets, and other cross contour tasks of varying subject matter: skulls, shells, apples, octopus, which you may wish to look at in my shop.

This resource is designed to highlight the Formal Elements of art, while creating a cross contour drawing of a shell. The aim is for students to gain a greater understanding of FORM and SHAPE, through the use of LINE and PATTERN. This activity can be used for Key Stage 3 and Key Stage 4 learners and is designed to engage students in ‘looking and seeing’ and consciously use the following Formal Elements of art: LINE SHAPE FORM PATTERN This resource is two PDF files; one with a ghost outline template to support the less able/less confident students, and one without for the more able/gifted and talented students. On the sheet there is the learning objective, a description of what the cross contour technique is, and the task instructions with step-by-step visual examples of how to work through the task. There are also other cross contour shell examples to reference from. This task is suitable for integration within a scheme, one off lesson, and/or cover session and takes approximately one lesson to complete, if being produced to a high standard. I usually print this resource on A3 cartridge paper and my students work directly onto the sheet, but this can be printed A4 also if desired. It may even be used simply as a reference sheet and the drawing produced directly into sketchbooks or on separate paper, whichever suits your student needs. I have created some further shell cross contour sheets, and other cross contour tasks of varying subject matter: hands, skulls, apples, octopus, which you may wish to look at in my shop.

This resource is designed to highlight the Formal Elements of art, while creating a cross contour drawing of a shell. The aim is for students to gain a greater understanding of FORM and SHAPE, through the use of LINE and PATTERN. This activity can be used for Key Stage 3 and Key Stage 4 learners and is designed to engage students in ‘looking and seeing’ and consciously use the following Formal Elements of art: LINE SHAPE FORM PATTERN This resource is two PDF files; one with a ghost outline template to support the less able/less confident students, and one without for the more able/gifted and talented students. On the sheet there is the learning objective, a description of what the cross contour technique is, and the task instructions with step-by-step visual examples of how to work through the task. There are also other cross contour shell examples to reference from. This task is suitable for integration within a scheme, one off lesson, and/or cover session and takes approximately one lesson to complete, if being produced to a high standard. I usually print this resource on A3 cartridge paper and my students work directly onto the sheet, but this can be printed A4 also if desired. It may even be used simply as a reference sheet and the drawing produced directly into sketchbooks or on separate paper, whichever suits your student needs. I have created some further shell cross contour sheets, and other cross contour tasks of varying subject matter: hands, skulls, apples, octopus, which you may wish to look at in my shop.

This resource is designed to highlight the Formal Elements of art, while creating a cross contour drawing of a shell. The aim is for students to gain a greater understanding of FORM and SHAPE, through the use of LINE and PATTERN. This activity can be used for Key Stage 3 and Key Stage 4 learners and is designed to engage students in ‘looking and seeing’ and consciously use the following Formal Elements of art: LINE SHAPE FORM PATTERN This resource is two PDF files; one with a ghost outline template to support the less able/less confident students, and one without for the more able/gifted and talented students. On the sheet there is the learning objective, a description of what the cross contour technique is, and the task instructions with step-by-step visual examples of how to work through the task. There are also other cross contour shell examples to reference from. This task is suitable for integration within a scheme, one off lesson, and/or cover session and takes approximately one lesson to complete, if being produced to a high standard. I usually print this resource on A3 cartridge paper and my students work directly onto the sheet, but this can be printed A4 also if desired. It may even be used simply as a reference sheet and the drawing produced directly into sketchbooks or on separate paper, whichever suits your student needs. I have created some further shell cross contour sheets, and other cross contour tasks of varying subject matter: hands, skulls, apples, octopus, which you may wish to look at in my shop.

This resource is designed to highlight the Formal Elements of art, while creating a cross contour drawing of a shell. The aim is for students to gain a greater understanding of FORM and SHAPE, through the use of LINE and PATTERN. This activity can be used for Key Stage 3 and Key Stage 4 learners and is designed to engage students in ‘looking and seeing’ and consciously use the following Formal Elements of art: LINE SHAPE FORM PATTERN This resource is two PDF files; one with a ghost outline template to support the less able/less confident students, and one without for the more able/gifted and talented students. On the sheet there is the learning objective, a description of what the cross contour technique is, and the task instructions with step-by-step visual examples of how to work through the task. There are also other cross contour shell examples to reference from. This task is suitable for integration within a scheme, one off lesson, and/or cover session and takes approximately one lesson to complete, if being produced to a high standard. I usually print this resource on A3 cartridge paper and my students work directly onto the sheet, but this can be printed A4 also if desired. It may even be used simply as a reference sheet and the drawing produced directly into sketchbooks or on separate paper, whichever suits your student needs. I have created some further shell cross contour sheets, and other cross contour tasks of varying subject matter: hands, skulls, apples, octopus, which you may wish to look at in my shop.

This resource is designed to highlight the Formal Elements of art, while creating a contour weave drawing of an apple with TEXTURE formations. It can be used for Key Stage 3 and Key Stage 4 students. This sheet also has an extension task to further push and engage learners: To create a ‘WEAVE’ title, working on the template provided. Students are to add weave textures on the letters to link with the theme of the task page. There are some example weave patterns to use for inspiration also. The activity sheet is designed to engage students in ‘looking and seeing’ and in using the following Formal Elements of art: LINE SHAPE FORM PATTERN TEXTURE This resource is two PDF files; one with a ghost outline template to support the less able/less confident students, and one without for the more able/gifted and talented students. On the sheet there is the learning objective, a description of the contour weave technique, and instructions with step-by-step visual examples of how to work through the task. This task is suitable for integration within a scheme, one off lesson, and/or cover session and takes approximately one to two lessons to complete, if being produced to a high standard. I usually print this resource on A3 cartridge paper and my students work directly onto the sheet, but this can be printed A4 also if desired. It may even be used simply as a reference sheet and the drawing produced directly into sketchbooks or on separate paper, whichever suits your student needs. I have created other contour drawing sheets of varying subject matter: more apples, hands, skulls, shells, octopus, which you may wish to look at in my shop.